Showing posts with label Mockingjay. Show all posts
Showing posts with label Mockingjay. Show all posts
Wednesday, December 2, 2015
MOCKINGJAY - PART 2: Capitol Punishment
Director: Francis Lawrence
Writers: Peter Craig, Danny Strong
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Julianne Moore, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Willow Shields, Sam Claflin, Elizabeth Banks, Mahershala Ali, Jena Malone, Jeffrey Wright, Stanley Tucci, Patina Miller, Gwendoline Christie
Runtime: 137 mins.
2015
The real bummer about Mockingjay - Part 2 is how serviceable it is. The first Hunger Games movie had just enough problems that it left me cold, so I was shocked when Catching Fire ended up being one of my favorite movies of 2013. That film is jampacked with memorable characters who are each given a host of personality traits and political affiliations. Then along came Mockingjay - Part 1, a movie which retained all the memorable characters, but mostly had them walk around and talk to each other for two hours. If you can choke your way through my audio review of that movie, you'll hear that I found the actionlessness of Part 1 to be mostly enjoyable. Scenes meandered here and there, but the characters felt lived in, and the movie did some really interesting work with propaganda and symbolism. At any rate, the dullness of Part 1 was supposed to be a necessary byproduct of it being the first of a two-parter.
Now, a year later, we have the final entry, a movie that came with the promise of providing a wham-bang conclusion to one of the most successful movie franchises of our generation, and instead we get... serviceable. This time plenty of stuff happens, to be sure. It's just that nobody seems invested in doing these things. Between Francis Lawrence's workmanlike directing, the screenwriters' straightforward adaptation, and the lead actors' adequate performances, Mockingjay - Part 2 feels like a movie franchise that knows it has ended up one movie longer than it should have been. The franchise has outgrown itself.
Labels:
action,
assumed empathy,
dystopia,
Francis Lawrence,
genre,
Hunger Games,
Jennifer Lawrence,
Mockingjay
Friday, March 27, 2015
The Cool Girl: Women in Film 2014
I want you to watch something for me.
You've seen some of these movies before. You're all familiar with this plot beat. The woman, almost always a love interest, has been captured by the villain, and the hero has to brawl or bargain to save her. There's nothing inherently sexist about the situation, just as the use of such a plot device doesn't automatically make a movie sexist. But that's beside the point. This supercut puts a lot of unpleasant Hollywood trends in stark relief.
For starters, notice how in most of these clips the woman doesn't even speak. She's a prop. The only important dynamic in the scene is that between the (generally) male hero and the (generally) male villain. Their relationship is the important one, the real one, the dramatically resonant one. The men have all the dialogue, all the power, all the agency, all the charisma, all the audience's rooting interests--everything. Meanwhile, the women just have weakness and manufactured tears. They are little more than poker chips in these scenes, an observation driven home when the heroes start offering money to trade for her: "I'll give up the gold," "I gave you the money," "I'll open the safe." Then, as if it wasn't apparent enough, we have the litany of scenes that make the utter unimportance of the woman explicit: "This is between you and me," "She's not important," "She doesn't belong here."
If she's really so unimportant to the central conflict, why is she even in the movie? The answer is even sorrier than the question: She exists in these films as nothing more than a pawn, a plot device, and an eventual reward for the man to take home and mount on his mantle. Figuratively speaking.
You've seen some of these movies before. You're all familiar with this plot beat. The woman, almost always a love interest, has been captured by the villain, and the hero has to brawl or bargain to save her. There's nothing inherently sexist about the situation, just as the use of such a plot device doesn't automatically make a movie sexist. But that's beside the point. This supercut puts a lot of unpleasant Hollywood trends in stark relief.
For starters, notice how in most of these clips the woman doesn't even speak. She's a prop. The only important dynamic in the scene is that between the (generally) male hero and the (generally) male villain. Their relationship is the important one, the real one, the dramatically resonant one. The men have all the dialogue, all the power, all the agency, all the charisma, all the audience's rooting interests--everything. Meanwhile, the women just have weakness and manufactured tears. They are little more than poker chips in these scenes, an observation driven home when the heroes start offering money to trade for her: "I'll give up the gold," "I gave you the money," "I'll open the safe." Then, as if it wasn't apparent enough, we have the litany of scenes that make the utter unimportance of the woman explicit: "This is between you and me," "She's not important," "She doesn't belong here."
If she's really so unimportant to the central conflict, why is she even in the movie? The answer is even sorrier than the question: She exists in these films as nothing more than a pawn, a plot device, and an eventual reward for the man to take home and mount on his mantle. Figuratively speaking.
Labels:
2014,
Catching Fire,
Edge of Tomorrow,
feminism,
Gone Girl,
Guardians of the Galaxy,
Her,
Jennifer Kent,
Mockingjay,
Obvious Child,
Scarlett Johansson,
Snowpiercer,
The Babadook,
We Are the Best!,
women in comedy
Monday, December 29, 2014
MOCKINGJAY - PART 1: Rebels and Rubbles
In which it takes me two hours to figure out how to upload a sound file to Blogger.
Director: Francis Lawrence
Writers: Peter Craig, Danny Strong
Cast: Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Elizabeth Banks, Julianne Moore, Sam Claflin, Natalie Dormer, Mahershala Ali, Jeffrey Wright, Stanley Tucci, Jena Malone
Runtime: 123 mins.
2014
For this winter's biggest cinematic event, the continuation of the massively successful Hunger Games franchise, Post-Credit Coda is releasing its first audio review! Click below to hear me discuss Mockingjay - Part 1 with my two esteemed guest stars, Brandon and Carson Rebel. (Hopefully it works; you might have trouble on mobile devices. I apologize for the sound quality, I did the best I could with zero microphones.)
WARNING: Spoilers are discussed for Mockingjay - Part 1, though if you ask me it doesn't matter that much for this movie. Nothing beyond the scope of Part 1 was discussed.
My reviews for movies mentioned in the discussion:
Top Ten 2013 (Catching Fire)
Edge of Tomorrow
Godzilla
2.5 / 5 BLOBS
Labels:
Francis Lawrence,
Hunger Games,
Jennifer Lawrence,
Mockingjay,
podcast
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