THE REVENANT: A Dish Served Cold

Director: Alejandro González Iñárritu
Writers: Mark L. Smith, Alejandro González Iñárritu
Cast: Leondardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck
Runtime: 156 mins.
2015

Iñárritu has done it again. Following hot on the heels of his Best Picture win with Birdman, he has crafted yet another arthouse film that has thrust its way into mainstream consciousness. The Revenant has garnered a ton of buzz, topped the box office, and snagged a whole bunch of Oscar nominations. However, and I promise you I'm not simply being contrarian when I say this: The Revenant is a narrative failure. It's a bad story told haphazardly, yet in the most stylistically impressive way imaginable. It's all the more disappointing because it was close to being so much better.

Let's ignore the buzz surrounding the movie for a while. All that business about how difficult it was to film, and how Leo DiCaprio almost got killed a dozen times over--that'll come up later. For now let's just look at the film. Much of the runtime follows a scout for a party of trappers named Hugh Glass (Leonardo DiCaprio). He gets into arguments with fellow trapper John Fitzgerald (Tom Hardy) about how best to get back to safety in the wake of a brutal Native American raid. Then he gets destroyed by a bear. Glass appears to be slowly dying, so team captain Andrew Henry (Domhnall Gleeson) elects three men to stay behind and take care of him: Glass's half-Indian son Hawk (Forrest Goodluck), the young and goodhearted Jim Bridger (Will Poulter), and the aforementioned greedy bastard Fitzgerald. The raiding party could come back at any point, so Fitzgerald goes ahead and tries to kill Glass, then kills Hawk instead and hides the body so that he and Bridger can move on, leaving Glass in a shallow grave. But Fitzgerald underestimates Glass's ability to crawl long distances.

CATCH ME IF YOU CAN: A Bucket of Cream

Every other day leading up to the release of his new movie Bridge of Spies, we will be dissecting a film in Steven Spielberg's oeuvre. I've picked ten movies spanning the length of Spielberg's career, five of which I have seen and five of which I haven't. This week is Catch Me If You Can, which is as far as I can tell the closest thing we have to a Spielberg comedy that works.

Other Reviews in this Series: Duel, Close Encounters of the Third Kind, 1941, Empire of the Sun, Amistad, A.I. Artificial Intelligence, War of the Worlds, Munich, Lincoln

Other Spielberg Reviews: Jaws, Jurassic Park, The Lost World, Bridge of Spies

Director: Steven Spielberg
Writer: Jeff Nathanson
Cast: Leonardo DiCaprio, Tom Hanks, Christopher Walken, Amy Adams, Martin Sheen, Nathalie Baye
Runtime: 141 mins.
2002

The common conception is that modern Spielberg is lesser than vintage Spielberg. Granted, since 1993 Spielberg has only made two instant classics*. His output of the past two decades has been largely glossed over by the public and left out of critical conversations about Spielberg the Artist. Maybe it's no coincidence that 1993 was around the time that Spielberg made yet another conscious decision to move away from genre fare and towards more grounded socially conscious efforts.

*These classics being Saving Private Ryan and Lincoln.

So we come to Catch Me If You Can, a movie that passed through the hands of many directors and actors before landing with the team most capable of making it. At twenty-seven years old, DiCaprio was the perfect candidate to portray Frank Abagnale, famed real-life scam artist wunderkind. Abagnale was ten years younger than DiCaprio when he went on his check fraud spree, but DiCaprio convincingly portrays a heightened adolescent innocence for the first twenty minutes of the film. DiCaprio then spends the next two hours brilliantly subverting and exploiting that appearance of innocence, which makes this one of the most pivotal roles in Leo's career; before Catch Me he had been stuck in a bit of a Titanic rut and, as Spielberg predicted would happen at the time, Catch Me catapulted Leo into a series of roles that cemented him in the top echelon of Hollywood talent.