UP: Just a Piece of Latex in My Eye

Twenty years ago Pixar Animation Studios revolutionized cinema with the first full length completely computer-generated film. Two decades later and Pixar is still one of the most consistently groundbreaking studios in the business. Leading up to the release of their new film The Good Dinosaur, I will be going through Pixar's entire filmography at the rate of two movies a week. As anyone who has watched Up already knows, it is a masterwork in emotional manipulation. And I mean that in the best possible way.

Other Reviews in this Series.

Directors: Pete Docter, Bob Peterson (co-director)
Writers: Pete Docter, Bob Peterson, Tom McCarthy
Cast: Ed Asner, Jordan Nagai, Christopher Plummer, Bob Peterson, John Ratzenberger
Runtime: 96 mins.
2009

Nothing makes me cry. I'm not a tough guy, I've just never had easy access to my emotions. Crying isn't weakness, it's a release valve. One that I'm often envious of. Most of my favorite stories throughout my life have failed to move me to tears. In recent years this has been changing a little bit; as I learn more about movies and the craft that goes into them, it has made me more capable of accessing and understanding the emotions at the center of the story via an intellectual conduit. Maybe that makes me sound like a sociopath, but that's how things are. I have to understand before I can participate.

With that said, I will readily admit that the famous opening montage of Up makes me cry like a fool every single time I watch it. For those not in the know, Up is the story of a curmudgeonly old man who lives alone. The first five or so minutes of the film contain a montage showing his progression through the decades with the love of his life, Ellie. It is one of the most elegant, effectively manipulative feats of emotiontugging that I have ever seen. The story it tells is so simple, as is its montage format. But this sequence of silent glimpses into the lives of this couple--strung along to a tremendously moving Michael Giacchino composition that crops up again and again in the movie, always reminding us of this opening salvo--yanks the rug out from under us so hard, it could almost be considered cruel. Of course, the sequence is not just an exercise in pathos; it also establishes the character of Carl Fredricksen (Ed Asner) with maximum economy. Thanks to these five minutes, any time Carl is kind of a dick in the movie (which is not uncommon), we can never hate or resent him for it, because we have seen the exact emotional arc that has brought him to this point. Everything he does is out of a bullheaded sense of love, even when his decision making is misinformed.

THE VISIT: Va-ca-tion Had to Get Away

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Cast: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn
Runtime: 94 mins.
2015

This is truly a momentous day.

M. Night Shyamalan has made a new movie. Already this sounds like a very bad idea. I don't like to dogpile on easy targets, but I feel uniquely qualified to do so in this case. M. Night Shyamalan was my first ever favorite director. In the budding years of my cinephilia, I discovered the value of choosing a "favorite director" at the same time I was discovering Shyamalan's body of work. The Village was the first scary movie I'd ever seen, and the shocking moments of blood red imagery are still imprinted on my memory. From there I worked through The Sixth Sense, Signs, and Unbreakable, and I loved them all. Shyamalan's deliberate pacing, eye for the unsettling, and twisty plots all had significant appeal to my adolescent brain.

Then came the downfall. I eagerly awaited Lady in the Water, only to be a bit baffled and disappointed by the circlejerking peculiarity of the narrative. After that The Happening was announced. M. Night finally makes an R-rated horror movie! It's about mass suicide! My interest was piqued and I was rooting for it so hard.

We all know how that story goes.