TOP TEN 2015

Other Top Ten Lists.

This Christmas, a holiday season inundated with an insurmountable flood of Star Wars merchandise, I heard my nephew describe one of his toys as a "Lego Movie Lego Set." In other words, this is a toy set based on a film adaptation of that same brand of toy set. Setting aside the meta-awareness that The Lego Movie brought to the conversation, that playset throws into stark reality the perpetual cycle of film and merchandise, forever feeding off of each other.

Before my second viewing of The Force Awakens, a ticket purchase that I felt some vague guilt about, there was a big screen commercial that by all appearances advertised neither a film nor a product, but rather urged its audience to talk to more people about Star Wars and watch more Youtube videos about Star Wars. We've gone beyond advertising products, and are now advertising cultural monopolies--the utter domination of discourse.

Culture is eating itself. 2015 exists at the nexus of rampant reboot/remake/requel culture. Movies that make significant money are almost never original properties anymore. That being the case, production companies have delved deep into their reservoirs to try to dredge up old properties that still carry with them a modicum of brand recognition. Thus we get the crushing inevitability of a nostalgia-pillaging Jurassic Park sequel. A wretched Fantastic Four cobbled together out of sheer corporate obligation. A new Terminator movie that nobody liked, the third Terminator movie in a row that was meant to kick off a subsequently aborted trilogy. A trilogy of failed trilogies. And on the horizon, a Die Hard remake, a Labyrinth remake, a Memento remake, and cinematic universes for Marvel, DC, Ghostbusters, Avatar, Transformers, Hasbro, the Universal Monsters, and The Fast and the Furious, among others.

The cart is firmly before the horse.

100th Post Extravaganza!!! with special guest writer Nicolas Cage!

Ladies. Gentlemen. Everyone in between. I'm pleased to share this momentous occasion with you. Post-Credit Coda has reached its 100th post! This would have been possible without your continued support, but it would have been much sadder.

No sadness today! Today we celebrate. And what better way to celebrate than to recruit someone more famous than I am to say things about himself? That's right, I reached out to none other than the iconic laconic bubonic Nicolas Cage, and to my adequate surprise he accepted. As such, I've selected what I consider to be Nicolas Cage's Ten Greatest Most Timeless and Everlasting Movie Posters, and requested that he give us a few tidbits about each of these milestones in his storied career.

With Nicolas Cage on the docket, I don't imagine you care to hear any more from me. Before turning it over to the grandmaster of alabaster, I just want to thank you all for sticking with me until this centenary post. You are all a national treasure.

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Hello audience, I am Nicolas Cage. You probably know me from my cinema roles such as Sason of the Witch and Top Gun. I get many fans who want me to do things, but it is rare to receive a message from a fan wishing me to discus the ephemera of film culture such as cinema posters, a topic that is admittedly ancilary to what we would normally think of as cinema. My friend Brian here has selected what he believes to be my ten best cinema posters and being impartial from the day I was born, I have no grounds to argue with him upon this. I will merely act as a historical beacon in this retrospect, making quantitative rather than qualtative commentary.

At any rate I thought Brian had an easy task because I've only been in a couple dozen pieces of cinema or so, but Brian informs me that I have in actuality acted in over seventy five pieces of cinema. This shocks me but it points to a God's Honest Truth: time flies when you're having fun.

I have informed Brian that I don't know how it works here in Post Credit Coder but in my life I cannot rank any aspect of my own cinema, so I choose not to rank these posters. I have asked him and Brian is kind enoguh to let me speak of them in alphabetical order. This pleases me as the alphabet is the great universal equalizer.

TOP FIFTEEN 2014

Around this time last year, I was looking back at 2013 with abject despondency. I had seen so few movies, and the ones I had experienced were hardly worthy to fill a top ten list. What was I going to round it out with, Man of Steel? The thought repulses me.

Now 2015 has rolled around and I find myself in the polar opposite predicament. Instead of waiting until December of the following year to scrounge up enough films for a worthy top ten, it is February and I already have too many! Despite having only seen twenty-eight movies, I couldn't deny myself the indulgence--this year's list will be a top fifteen.

Even that was difficult to pare down! There are films in my Honorable Mentions that I will rave about for years to come. There are even films featured in my Untoward Awards that I quite liked (Sorry The Hunger Games: Mockingjay - Part 1). All told, 2014 may have been a bad year for culture in general, but it was an excellent year for film. I feel confident stating as much even having missed the following potential gems (in order from most to least interesting for me):

Under the Skin, Boyhood, Force Majeure, Locke, Only Lovers Left Alive, A Most Violent Year, The Guest, Jodorowsky's Dune, Neighbors, Rosewater, The Rover, The Imitation Game, The Theory of Everything, Foxcatcher

There's too much to talk about. This is gonna be long. So let's get started.

TOP TEN 2013

It's the end of the year, and you all know what that means. Time for the top ten movies released not this year but the previous year! I am nothing if not timely.

I've been meaning to write this list for a long time now, but I couldn't bring myself to do it earlier because I had missed out on many of 2013's critical new releases. Even still, I haven't seen a bunch of potential contenders like:

The Conjuring, The Wind Rises, Blue Jasmine, Captain Phillips, 12 Years a Slave, The Counselor, Dallas Buyers Club, Blackfish, The Bling Ring, Spring Breakers, etc.

I have an assortment of excuses for this negligence. The first Post-Credit Coda post being published on December 31 of 2013, 2014 was my first year of writing about movies. Seeing new releases in 2013 had not been a priority for my college self. But I've finally watched my way through forty movies from 2013, enough material for a hearty if not comprehensive top ten.

Looking over my list, I can't help but call 2013 disappointing. Shame on you, 2013. Summer blockbuster season felt like a dry spell and the Oscars didn't blow me away. Despite this, picking ten movies proved a bit confounding. That's why lists are fun! Time warps impressions, and self-imposed limits force you to confront what you find valuable in your favorite and not-so-favorite films. Not every movie can be a big fat winner. Some movies are big fat losers. With that in mind...

TOP TEN 2012

[This post was originally composed for my personal blog, The Name Is Rebel. I am replicating it here for posterity's sake. As you might guess, the list would look a little different if I had written it today--but no alterations were made!]

In my time, some have called me a Movie Buff.  Some have called me a No You're Not A Movie Buff.  Regardless, I love movies.  They're one of my three favorite forms of media (novels and video games probably fill the other slots).  I live on IMDB and Rotten Tomatoes.  As such, I'm pleased to have viewed twenty-one films so far that were released in the good year 2012.  Of these, I present to you my top ten.  Unlike my Top 10 Books of the Year list, these are not culled from all the movies I have seen this year, but all the movies I've seen that were released in 2012.  I have no idea what all the movies I watched this year are.

So, without further ado... some preliminaries.

The Scariest Movies of My LIFE

In my continuing efforts to disavow all holidays, I will be celebrating Halloween by working at my dad's network tonight. Nonetheless, the last vestiges of my holiday spirit cropped up yesterday and demanded that I do a film-based retrospective.

So here we are. It should come as no surprise that the subject of this retrospective will be horror, one of my favorite of all movie genres. Something about the grotesque... the unknown... the tangible becoming intangible... intangible becoming tangible... it gets me.

Horror fans tend to obsess over their pet genre, tracking down obscure gems and popular turds alike for voracious consumption. My knowledge isn't nearly as encyclopedic as most horror enthusiasts, but hey, that's what the rest of my life is for. In the meantime, I'll focus on what I have experienced.

What you are about to see is not a list of the best horror films I have ever seen. You won't find horror masterpieces like The Thing, The Shining, The Cabin in the Woods, or Psycho. Rather, this is a list of the ten films that scared me the most when I saw them. It's a purely personal compilation. Well-constructed horror films are more likely to terrify, but each of us is frightened by such idiosyncratic things. Bob 1 might find insects terrifying but is unfazed by the threat of stalker psychos in a character's backyard. Bob 2 is unafraid of insects unless they talk, and unafraid of psychos unless they don't. Bob 3 finds anthropomorphic appliances disturbing on a deep existential level. It's a crapshoot: one that I find endlessly interesting. In fact, I would love to hear about your scariest movies.

I'm not a person who scares easily--it takes a lot for a movie to elicit any sort of visceral reaction from me--but we are about to embark on a tour of the ten movies that have done the most to shape the disturbances of my conscious and subconscious imagination.

As they say in the I Spy: Haunted Mansion computer game that I used to play: Enter if you dare... you're in for a scare.

Everything rhymed in that game.