Showing posts with label Gravity. Show all posts
Showing posts with label Gravity. Show all posts

Monday, December 29, 2014

TOP TEN 2013

It's the end of the year, and you all know what that means. Time for the top ten movies released not this year but the previous year! I am nothing if not timely.

I've been meaning to write this list for a long time now, but I couldn't bring myself to do it earlier because I had missed out on many of 2013's critical new releases. Even still, I haven't seen a bunch of potential contenders like:

The Conjuring
, The Wind Rises, Blue Jasmine, Captain Phillips, 12 Years a Slave, The Counselor, Dallas Buyers Club, Blackfish, The Bling Ring, Spring Breakers, etc.

I have an assortment of excuses for this negligence. The first Post-Credit Coda post being published on December 31 of 2013, 2014 was my first year of writing about movies. Seeing new releases in 2013 had not been a priority for my college self. But I've finally watched my way through forty movies from 2013, enough material for a hearty if not comprehensive top ten.

Looking over my list, I can't help but call 2013 disappointing. Shame on you, 2013. Summer blockbuster season felt like a dry spell and the Oscars didn't blow me away. Despite this, picking ten movies proved a bit confounding. That's why lists are fun! Time warps impressions, and self-imposed limits force you to confront what you find valuable in your favorite and not-so-favorite films. Not every movie can be a big fat winner. Some movies are big fat losers. With that in mind...


Tuesday, March 4, 2014

GRAVITY: In Space No One Can Hear You Win Seven Oscars

Real women don't let go.  Take that, Frozen.
Director: Alfonso Cuarón
Writer: Alfonso Cuarón
Cast: Sandra Bullock, George Clooney
Runtime: 91 mins.
2013

Here's the breakdown:

12 Years a Slave: 3.  Dallas Buyer's Club: 3.  Frozen: 2.  The Great Gatsby: 2.  Her: 1.  Philomena: 0.  Nebraska: 0.  Captain Phillips: 0.  The Wolf of Wall Street: 0.  American Hustle: 0.

Gravity: 7.

Seven Oscars.  That kind of success is remarkable.  Not to mention that it is absolutely unprecedented for a sci-fi film.  The question of Can Gravity win? has been satisfactorily answered.  The question that remains is Did Gravity deserve to win?  After that is answered, an even more savory question lingers: Why, after 86 years, did the Academy open their arms to a sci-fi film?  These are the questions I'm looking to address.